This review evaluates Dr. Anuja Begum’s poetic anthology, Meghalaya kee goad main, analyzing its position within the continuum of Hindi nature poetry. The work functions as a lyrical travelogue that transposes the unique ecology and cultural rhythms of Northeast India into the mainstream literary consciousness. While the collection is noted for its linguistic accessibility and evocative imagery, it is also examined for its adherence to traditional structures and its prioritization of aesthetic serenity over contemporary sociopolitical critique.